مجلة دراسات الإنسان و المجتمع

Through the internal spaces in Islamic architecture in the old city of Tripoli, west of Libya, and showing the architectural and design features in Libyan architecture in general and in the old city in particular, which the Libyan artist contributed to highlighting. The research focuses on the beauty of the internal architectural spaces, as the stages through which the spaces passed are successive. The interior, the development of interior design, the symbols used to decorate mosques and houses, the stages of their development, knowledge of the modifications made by the Libyan artist throughout the ages to create local symbols or to employ expatriate symbols, give them a local character, as well as the impact of social, economic, environmental and cultural conditions in this context, and this research seeks to benefit from them. In developing modern designs, research also has another importance, which is introducing the art that was prevalent in that period. This research, which will address the vocabulary of the Libyan house and the possibility of employing the design elements present in the Tripolitan house in modern interior design, is based on the beauty of the vocabulary of this house. The courtyard is considered a major point of barrenness inside the house, as well as identifying the most diverse styles in the Garmali era. We will talk about the decorative structures, decorative and architectural forms, and decorative themes, which are represented by the floral, geometric, and calligraphic decorations that adorned Islamic art, which gave it its distinctive character. Keywords: aesthetics, design, architecture, Karamanli era, modern architecture