المجلة الدولية للعلوم والتقنية

Though city planning as an organized profession has been present for less than a century, all cities show diverse degrees of consideration and conscious design in their outline and functioning. People have imagined perfect cities for millennia. Most city planners, nevertheless, do not work on a blank canvas; they can just make incremental modifies to an urban outlook previously shaped by a complex historical process.
At first look it seems that aesthetics is purely an sophisticated expression for beauty and pleasant appearance, but this would disregard some significant aspects of molding a city. It as well includes the sense, design, outline, and description of a city. It is a need to make a place that is purposeful and creative along with being eye-catching, calming, and reflective of the city's history and culture. It involves the planning of parks, open spaces, and other public areas along with positioning the city's buildings and streets in such a way that are visually satisfying, easy to use, and encouraging of healthy living. In real meaning, aesthetics corresponds to the soul of the city.
To attain a stage of urban aesthetic involves the assortment in urban space of constructions that manifest elegant rationality. To judge by the diverse models that can be listed as models of the urban aesthetic, it is necessary to identify the time context, and level of culture and technology, materials used and the social costs required to make these assemblages potential. Even if no monetary worth can be recognized for explicit ensembles, consciousness for this variable has to be recognized.